PRESS

 

Review of Escalade X's and O's in The Wire:

Escalade X's & O's/Pleasure Treasure

Cuckundoo 7" Greg Sullivan recently landed in Japan after time floating between America and New Zealand, but his music is resolutely English. There's something 1990s shoegaze about it that doesn't quite grab me, but Sullivan's smuggled in some unexpected moves to destabilize initially predictable songs. The arrangements are particularly appealing, where little gusts of electronics scatter across regulation indie pop, while trumpets and gamely plucked strings duel away in the corner of the studio.

 

Review of Escalade X's and O's in Angry Ape:

Escalade is predominantly the work of multi-instrumentalist Greg Sullivan, a New Zealander based in Tokyo. For his debut single X's & O's, Sullivan plots a remarkable piece of experimental rock that touches on groups such as Sonic Youth and Polvo, yet retains elements of originality.

Kicking off with a languid beat and a distant synth progression, Sullivan's laid-back vocal style soon weaves an alluring melody. But it is the guitar work here that should be most of interest, as superb No Wave inspired guitar ripples across the mix. It's not long before we are catapulted into a fantastic guitar/bass/drum workout that recalls Moore, Gordon, Ranaldo et al at their finest.

Finding a fine balance between experimentation and melody, towards the end of this track Escalade ingeniously mixes brass instrumentation with acoustic overdubs, skewed guitar chops, screeching feedback, mobile phone chirps, hypnotic vocals and steady percussion. Totally inventive and thoroughly engaging, this is wonderful debut record. Catch Escalade touring the UK early next month.

see Angry Ape review of Escalade X's $ O's at angryape.com

 

see comments and links to more reviews at the Silent Ballet or see below for the reviews only.

 

ESCALADE – X’s & O’s (Cuckundoo) – Let us overcome the obstacles lying in the path and let these two fine songs unfold. Escalade (aka Greg Sullivan) is based in Tokyo, originally from New York (via a self-imposed exile in New Zealand). These two very mellow (slightly jazzy) subtle pieces of post-rock flavoured intelligent soothing, slightly angular, rather refined pop really do guide (and glide) you along an obstacle-free path. Clever structures, evolving song shapes, a sense of being taken somewhere – that’s it, a feeling of the songs taking us somewhere - like sitting on a bus lost in thought as the landscape slowly evolves. You don’t really notice how things subtly evolve rather than return to the tradition of a repeated structure. Daydream-good - drones glide in to uplifting harmonies and delicious mellow subtle easy flowing jazzy contrasts – hazy, mellow, refined. Exquisite songs that take you with them. Further investigation - www.escalader.net or www.myspace.com/escaladers or www.myspace.com/cuckundoorecords

see this review on the webpage at Organ Magazine On Line under "also check out"

 

ESCALADE is the musical life of US born, Tokyo-based, New Zealand migrant Greg Sullivan.

The global range is right there in the music. Tropical cool, reflective, lightly funky and a bit bossa nova jazz, "Xs and Os" (it actually has apostrophes, but it doesn't really need them) keeps to the alt-indie side of articulate sociable music. Guitar bass drums and breathy voice sit right in the middle with an easy, snuggling tune while sampled and constructed sounds decorate and elaborate.

"Pleasure Treasure" is more of a mood piece, chilled and looping, with sprinklings of keyboards, piano, phone like noises, srings and a beautiful trumpet line. The title is accurate - it's a barrel of aural delights, tumbling wantonly past your window for the whole of its modest 2 minutes 44.

The sound quality is a delight. Reports tell me that Sullivan worked as a studio engineer and the elaboration of sounds, levels, locations and textures is fascinating. Some mght hear this as a rather dry separation, so distinct and clear is each part. But, done deliberately, so that you really can hear every xylophone note and every cymbal splash it seems to me like a big bonus.

On the evidence we have, attendance at an early gig (UK and US this Autumn/Winter) and a good look at a promised debut album looks mandatory.

www.escalader.com
www.myspace.com/escaladers

author: Sam Saunders

see this review at Whisperin & Hollerin